EVA MILINKOVIC

Eva Milinkovic is a glass artist who looks to science and nature for inspiration. Using organic and fluid forms to communicate her ideas, her work reflects her interest towards designed art objects.
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JOHN WHITNEY

Oceanside Gallery has been collecting John Whitney’s watercolors, monotypes and etchings and is thrilled to able to include these lighthearted pieces on the website. His work is about the essence within us. He captures the substance of the subject through a fusion of shape and mood.
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MARGARET CRAWFORD

The main focus of Margaret Crawford's watercolors is the play of shadow on flowers. She paints blossoms dramatically and larger than life. Her backgrounds develop in an abstract manner. The main subject is completed realistically through the use of subtle glazes of transparent color. Other favorite subjects are gardens and architectural details. She finds material for her paintings in towns up and down the East Coast.
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AL HERR

Oceanside Gallery is very pleased to be able to exhibit and sell the work of Al Herr. He has had a distinguished career as an illustrator. He has retired to a second career as a fine artist. His landscapes today are done Plein Aire.
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DON HATFIELD

Don Hatfield is one of the most innovative impressionists of our time. His style of painting softly blends figures of realism with the gentle touch of classic impressionism. Don strives to create paintings that bond themselves to the viewer. In the vein of romantic impressionism, he shows the viewer that beauty can arise from one stirring moment: a family reunion, a young boy searching for shells on the beach or the warmth of the sun touching a mother and her child.
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ALAN S. BROWN

Whether Alan Brown is painting portraits or his own more personal work, he has always been obsessed with the figure. His style of painting varies greatly from one body of work to another. Some work is painted in a very tight rendering style and other paintings have a loose expressionistic style. "No matter how photo-realistic or expressionistic my paintings are, the content of the work is forever subordinated by form and color. Meaning: I want a beautiful painting with strong composition and decisive color and the message of the work is secondary."
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SANDY TAYLOR

Sandy’s paintings explore shapes and the effects of light, color and texture. She says, ”I love to play with the edges of light coming together, how shadow and light flow together.”
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PATRICIA HUTCHINSON, Ph.D.

“I paint figures in environments, but I’d say that what I’m really interested in is people and how they present themselves to the world. Nothing is more touching to me than a person taking the risk of performing for others—expressing him or herself to what might be a hostile audience.... I am fascinated by the emotional and physical energy they exchange with the environment in which they are performing, to which music, rhythm and light are also major contributors."
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